How to Cite
ПСИХОТЕХНИКА В АКТЕРСКОМ МАСТЕРСТВЕ. (2024). SAN’AT VA MADANIYAT AXBOROTNOMASI, 2, 47-52. https://doi.org/10.66900/m13jbq07
Kalit so‘zlar:
психотехника
,
актёрлик маҳорати
,
ҳиссий субтекст
,
тинглаш
,
эмоцианаль импровизация
,
ҳиссий заифлик
,
контекст
,
чидамлилик
,
мослашувчанлик
,
барқорарлик
,
актёрлик техникаси.
Abstrakt
Мақолада психотехника, актёрлик маҳорати, ҳиссий субтекст, тинглаш, эмоцианаль
импровизация, ҳиссий заифлик, контекст, чидамлилик, мослашувчанлик, барқорарлик, актёрлик
техникаси сўз этилади.
Foydalanilgan adabiyotlar
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- 2. Blair, R., Hill, J., Knowles, L. (1960). Directing the actor. Dood Mead.
- 3. Carnicke, S. M. (2008). Stanislavsky in focus. Routledge.
- 4. Hodge, A. (Ed.). (2010). Actor training (2nd ed.). Routledge.
- 5. Hochschild, A. R. (1983). The managed heart: Commercialization of human feeling. Univ of
- California Press.
- 6. Krasner, D. (2000). Strategic acting: Psychotechnics for the working actor. Lynne Rienner
- Publishers.
- 7. Lecoq, J. (2002). The moving body (D. Bradby, Trans.). Routledge. (Original work published
- 2001).
- 8. Linklater, K. (1976). Freeing the natural voice. Drama Publishers.
- 9. Rudlin, J. (1994). Commedia dell'arte: An actor's handbook. Routledge.
- 10. Sawoski, P. (Ed.). (2012). The Merely Players: An acting company's story. Createspace
- Independent Publishing.
- 11. Schneider, R. (2014). The acting person and the model actor. Intellect Books.
- 12. Spolin, V. (1963). Improvisation for the theater: A handbook of teaching and directing
- techniques. Northwestern University Press.
- 13. Stanislavski, C. (1989). An actor prepares (E.R. Hapgood, Trans.). Routledge. (Original work
- published 1936).