How to Cite
ПСИХОТЕХНИКА В АКТЕРСКОМ МАСТЕРСТВЕ. (2024). KÓRKEM ÓNER HÁM MÁDENIYAT XABARSHÍSÍ, 2, 47-52. https://doi.org/10.66900/m13jbq07
Tayanısh sózler:
psixotexnika
,
aktyorlik sheberligi
,
emotiv subtekst
,
tıńlaw
,
emocionallıq improvizatsiya
,
sezimniń hálsizligi
,
kontekst
,
shıdamlılıq
,
beyimlesiwsheńlik
,
turaqlılıq
,
aktyorlıq texnikası.
Annotaciya
Maqolada psixotexnika, aktyorlik mahorati, hissiy subtekst, tinglash, emocianal
improvizatsiya, sezimniń hálsizligi, kontekst, shıdamlılıq, beyimlesiwsheńlik, turaqlılıq, aktyorlıq
texnikası sóz etiledi.
Paydalanılǵan ádebiyatlar
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- 2. Blair, R., Hill, J., Knowles, L. (1960). Directing the actor. Dood Mead.
- 3. Carnicke, S. M. (2008). Stanislavsky in focus. Routledge.
- 4. Hodge, A. (Ed.). (2010). Actor training (2nd ed.). Routledge.
- 5. Hochschild, A. R. (1983). The managed heart: Commercialization of human feeling. Univ of
- California Press.
- 6. Krasner, D. (2000). Strategic acting: Psychotechnics for the working actor. Lynne Rienner
- Publishers.
- 7. Lecoq, J. (2002). The moving body (D. Bradby, Trans.). Routledge. (Original work published
- 2001).
- 8. Linklater, K. (1976). Freeing the natural voice. Drama Publishers.
- 9. Rudlin, J. (1994). Commedia dell'arte: An actor's handbook. Routledge.
- 10. Sawoski, P. (Ed.). (2012). The Merely Players: An acting company's story. Createspace
- Independent Publishing.
- 11. Schneider, R. (2014). The acting person and the model actor. Intellect Books.
- 12. Spolin, V. (1963). Improvisation for the theater: A handbook of teaching and directing
- techniques. Northwestern University Press.
- 13. Stanislavski, C. (1989). An actor prepares (E.R. Hapgood, Trans.). Routledge. (Original work
- published 1936).