ART AND CULTURE BULLETIN

2025 Issue 4: ART AND CULTURE BULLETIN
Articles

KINO TASVIRIDA TEXNOLOGIK, ESTETIK VA MUALLIFLIK UYG‘UNLIGI (o‘zbek-hind hamkorlik filmlari misolida)

  • Alijonov Xusan Komiljon o‘g‘li – o‘qituvchi, mustaqil izlanuvchi

How to Cite

KINO TASVIRIDA TEXNOLOGIK, ESTETIK VA MUALLIFLIK UYG‘UNLIGI (o‘zbek-hind hamkorlik filmlari misolida). (2025). ART AND CULTURE BULLETIN, 4, 101-104. https://doi.org/10.66900/ra3k0s78
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Keywords: visual thinking , cinematographer, , technological aesthetics , authorship phenomenon , transnational cinema , Uzbek cinematography , Indian cinematography , visual dramaturgy , camera angle , color rhythm, , light plasticity , cinematographic poetics , compositional harmony , cultural integration , Uzbek-Indian co-production films

Abstract

This article provides a theoretical analysis of the technological, aesthetic, and authorial unity within cinematic imagery, based on films produced through Uzbek–Indian collaboration. The study interprets the work of the cinematographer not merely as a technical function but as a process of creating meaning and emotional semantics through visual thinking. Compositional design, light plasticity, color rhythm, camera angles, and cultural-aesthetic integration are examined within the framework of cinematographic authorship. The synthesis of the restrained dramaturgy of Uzbek cinema and the dynamic visual poetics of Indian film is analyzed as a theoretical foundation for the formation of a new stage of cinematic language.

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References

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