SAN'AT VA FAN
Bibliografiya va madaniyat · 2026/1

Cultural meaning as a relational reality: interpretation, practice and continuity

  • Kuanishbay Yusupov Oʻzbekiston davlat sanʼat va madaniyat instituti Nukus filiali image/svg+xml
DOIhttps://doi.org/10.66900/a9m8vn35
Kalit so‘zlar

madaniyat falsafasi, madaniy ma’no, ijtimoiy ontologiya, germenevtika, madaniy xotira, gavdalangan amaliyot, qoraqalpoq epik an’anasi, madaniy vorisiylik

Annotatsiya

Madaniy amaliyot o‘z shaklini o‘zgartirganda nima saqlanib qoladi? Ushbu maqolada artefaktning saqlanib qolishi, spektaklning takrorlanishi va madaniy ma’noning davomiyligi turli xil hodisalar ekanligi ta’kidlanadi. U madaniy ma’noning jamoatchilikka ochiq, ammo tarixan qayta ko‘rib chiqilishi mumkin bo‘lgan talqin, mujassamlashgan kompetensiya va uzatish namunasi sifatidagi munosabatni ilgari suradi. Ushbu dalil Zimmelning obyektiv va subyektiv madaniyat o‘rtasidagi ziddiyatni, Gadamerning tarixiy vaziyatni tushunish haqidagi talqinini, Makintayrning an’ana haqidagi amaliyotga asoslangan konsepsiyasini va Assmanning kommunikativ va madaniy xotira o‘rtasidagi farqni qayta tiklaydi. Keyin u rus tilidagi madaniyat falsafasi va Markaziy Osiyo intellektual hamda ijrochilik an’analarini qamrab oladi. Yangi universal nazariyani kashf etishga da’vo qilish o‘rniga, maqola Ma’no- Agentlik-Uzluksizlik (MAC) tizimini aniq raqobatdosh tushuntirishlar va u muvaffaqiyatsizlikka uchraydigan shartlarga ega diagnostik matritsaga aylantiradi. Qoraqalpoq jirov-baxshichilik an’anasi asl dala ishi sifatida emas, balki hujjatlashtirilgan illyustratsiya sifatida muhokama qilinadi. Natijada madaniy vorisiylikning noaniq talqini yuzaga keladi: saqlash, tanqidiy qayta talqin qilish va malakali ishtirok birbiridan farq qilishi mumkin va ularning hech biri alohida holda yetarli emas. Ushbu asos falsafiy taqqoslash va kelajakdagi dalillarga asoslangan madaniy tadqiqotlar uchun mo‘ljallangan.

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