SAN'AT VA FAN
Teatr va musiqa · 2026/1

The bayan and the accordion: their use in music

  • M. Paluaniyazov Oʻzbekiston davlat sanʼat va madaniyat instituti Nukus filiali image/svg+xml
DOIhttps://doi.org/10.66900/7h23mj04
Kalit so‘zlar

bayan, akkordeon, musiqa san’ati, xalq musiqasi, akademik ijrochilik, tembr, mo‘yna texnikasi, ijrochilik mahorati, musiqiy ta’lim, ansambl, milliy an’analar

Annotatsiya

Maqolada bayan va akkordeon zamonaviy musiqa madaniyatining muhim cholg‘ulari sifatida ko‘rib chiqiladi. Ularning paydo bo‘lish va rivojlanish tarixi, konstruktiv xususiyatlari, tovush imkoniyatlari, ijro usullari hamda akademik, xalq, estrada va zamonaviy musiqada qo‘llanilishining asosiy yo‘nalishlari tahlil qilingan. Ushbu cholg‘ularning milliy musiqa an’analarini asrab-avaylash, professional ijrochilik san’atini rivojlantirish va musiqa ta’limidagi o‘rniga alohida e’tibor qaratilmoqda. Bayan va akkordeon cholg‘ularining o‘xshash va farqli jihatlari, tembr tovushlarining o‘ziga xos xususiyatlari, mo‘ynali dinamikaning ifoda imkoniyatlari hamda cholg‘ularning ansambl va yakkaxon ijrochilikdagi ahamiyati ko‘rib chiqiladi. Bayon va akkordeon sezilarli badiiy salohiyatga ega bo‘lib, zamonaviy musiqa amaliyoti sharoitida faol rivojlanishda davom etayotgani ta’kidlanadi.

Adabiyotlar

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