САНЪАТ ВА МАДАНИЯТ АХБОРОТНОМАСИ
Мақолалар · 2026/3

KO‘RINMAS QAHRAMON: KINODA OVOZ INTEGRATSIYASINING AHAMIYATI VA TEXNOLOGIYALARI

  • Manas Bekpolatovich Abdreymov Oʻzbekiston davlat sanʼat va madaniyat instituti Nukus filiali image/svg+xml
DOIhttps://doi.org/10.66900/9rh8xk90
Калит сўзлар

ovoz integratsiyasi, Diegetik va nodiegetik ovoz, Foley san’ati, Dolby Atmos, Akustik manipulyatsiya, Proksimik effekt, Raqamli ovoz stansiyasi (DAW), Spektral balans

Аннотация

Ushbu maqola zamonaviy kinematografiyada ovoz integratsiyasining nazariy va amaliy asoslarini mukammal va keng ko‘lamda tahlil qiladi. Ovoz – bu shunchaki vizual tasvirga ilova yoki uning kinematografik matnini to‘ldiruvchi element emas, balki filmning emotsional, dramaturgik va struktural ustunidir. Maqolada jahon ovoz rejissurasi tajribalari, Foley (shovqinlar yaratish) san’ati, akustik dizayn prinsiplari, psixologik manipulyatsiya vositalari hamda Dolby Atmos va VR Audio kabi zamonaviy ob’ektga yo‘naltirilgan texnologiyalarning kino tiliga ta’siri chuqur ilmiy-texnik nuqtai nazardan yoritiladi. Shuningdek, ovoz texnologiyalarining 1927-yildan hozirgi kungacha bo‘lgan tarixiy evolyutsiyasi, chastotaviy spektrlar tahlili va amaliy misollar (case studies) asosida kinodagi akustik muhitning tomoshabin psixofizikasiga ta’siri ochib beriladi.

Адабиётлар

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