Maqalalar · 2024/2
ПСИХОТЕХНИКА В АКТЕРСКОМ МАСТЕРСТВЕ
- Urazmbetova Lizaxan Taspolatovna - rejissyorlıq kafedrası baslıǵı. Ózbekstan mámleketlik kórkem óner hám mádeniyat institutı Nókis filialı Ózbekstan mámleketlik kórkem óner hám mádeniyat institutı Nókis filialı
Annotaciya
Maqolada psixotexnika, aktyorlik mahorati, hissiy subtekst, tinglash, emocianal
improvizatsiya, sezimniń hálsizligi, kontekst, shıdamlılıq, beyimlesiwsheńlik, turaqlılıq, aktyorlıq
texnikası sóz etiledi.
Ádebiyatlar
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- 2. Blair, R., Hill, J., Knowles, L. (1960). Directing the actor. Dood Mead.
- 3. Carnicke, S. M. (2008). Stanislavsky in focus. Routledge. DOI: https://doi.org/10.4324/9780203882092
- 4. Hodge, A. (Ed.). (2010). Actor training (2nd ed.). Routledge. DOI: https://doi.org/10.4324/9780203861370
- 5. Hochschild, A. R. (1983). The managed heart: Commercialization of human feeling. Univ of
- California Press.
- 6. Krasner, D. (2000). Strategic acting: Psychotechnics for the working actor. Lynne Rienner
- Publishers.
- 7. Lecoq, J. (2002). The moving body (D. Bradby, Trans.). Routledge. (Original work published
- 2001).
- 8. Linklater, K. (1976). Freeing the natural voice. Drama Publishers.
- 9. Rudlin, J. (1994). Commedia dell'arte: An actor's handbook. Routledge.
- 10. Sawoski, P. (Ed.). (2012). The Merely Players: An acting company's story. Createspace
- Independent Publishing.
- 11. Schneider, R. (2014). The acting person and the model actor. Intellect Books.
- 12. Spolin, V. (1963). Improvisation for the theater: A handbook of teaching and directing
- techniques. Northwestern University Press.
- 13. Stanislavski, C. (1989). An actor prepares (E.R. Hapgood, Trans.). Routledge. (Original work DOI: https://doi.org/10.4324/9780203827611
- published 1936).