ART AND CULTURE BULLETIN
Articles · 2026/3

BAQSÍSHÍLÍQ KÓRKEM ÓNERINDE USTAZ-SHÁKIRT DÁSTÚRI

  • Gulnara Allambergenova - Professor, Nukus branch of the Uzbekistan State Institute of Arts and Culture Nukus branch of the State Institute of Arts and Culture of Uzbekistan
DOIhttps://doi.org/10.66900/9rq93k32
Keywords

*baxshichilik*, *baxshi*, *ustoz-shogird* tradition, *doston*, *dostonchilik*, folk oral tradition folk art, dutor, performance skills, improvisation, national heritage, traditional art

Abstract

This article examines the "master-apprentice" tradition in Uzbek art bakhshi art as a vital mechanism for the preservation and transmission of national intangible cultural heritage. The features of training young performers under masters, the processes of mastering dastan repertoire, dutor playing, vocal mastery, improvisation, and performance culture are analyzed. Particular attention is paid to the role of the "master-apprentice" tradition in the formation of various schools of dastan art and the preservation of the individual performance characteristics of bakhshis. Opportunities for developing this tradition in modern conditions using educational and digital technologies are also considered.

References

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