ART AND CULTURE BULLETIN
Articles · 2026/3

ZAMONAVIY O‘ZBEK KINOSIDA RAQAMLI TEXNOLOGIYALAR HAMDA MILLIY ESTETIKA INTEGRATSIYASI

  • Zaretdinov Karamatdin Kurbanbaevich - Associate Professor Nukus Branch of the State Institute of Arts and Culture of Uzbekistan Nukus branch of the State Institute of Arts and Culture of Uzbekistan
DOIhttps://doi.org/10.66900/5s5kbe40
Keywords

sound direction, modern Uzbek cinema, national aesthetics, audiovisual synthesis

Abstract

Based on the IMRAD structure, this scientific article provides a comprehensive analysis
of the aesthetic and technological transformations in the field of sound production and sound design in
contemporary Uzbek cinema. The study examines the impact of digital multi-channel sound systems (Dolby
Atmos, Dolby Digital) on the national film language and acoustic environment. Through the prism of
national aesthetic thinking, the author reveals the artistic and dramaturgical functions of voice-over,
synchronous and asynchronous noises, as well as elements of silence (pause). The article scientifically
proves that sound is not merely a technical tool, but an independent authorial component that deepens the
philosophical core of a film. 

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