ART AND CULTURE BULLETIN
Articles · 2026/3

KO‘RINMAS QAHRAMON: KINODA OVOZ INTEGRATSIYASINING AHAMIYATI VA TEXNOLOGIYALARI

  • Abdreymov Manas Bekpolatovich - Head of the Department of Technogenic Art, Associate Professor Nukus Branch of the State Institute of Arts and Culture of Uzbekistan Nukus branch of the State Institute of Arts and Culture of Uzbekistan
DOIhttps://doi.org/10.66900/9rh8xk90
Keywords

Sound integration, Diegetic and non-diegetic sound, Foley art, Dolby Atmos, Acoustic manipulation, Proximity effect, Digital Audio Workstation (DAW), Spectral balance

Abstract

This article provides a comprehensive and large-scale analysis of the theoretical and
practical foundations of sound integration in modern cinematography. Sound is viewed not merely as an
accompaniment to the visual image or an element supplementing the cinematographic text, but as an
emotional, dramaturgical, and structural pillar of a film. From a profound scientific and technical
perspective, the paper highlights global sound engineering practices, the art of Foley (sound effects creation),
acoustic design principles, tools of psychological manipulation, and the impact of modern object-oriented
technologies such as Dolby Atmos and VR Audio on cinematic language. Furthermore, based on frequency
spectrum analysis, the historical evolution of audio technologies from 1927 to the present day, and specific
case studies, the study reveals the profound impact of the cinematic acoustic environment on the
psychophysics of the audience. 

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