ART AND CULTURE BULLETIN
Articles · 2026/3

XX ÁSIR DUWTARSHÍLÍQ KÓRKEM ÓNERINIŃ ATAQLÍ WÁKILLERI DÓRETIWSHILIGINDE DÁSTÚR HÁM JAŃA TENDENCIYALAR

  • Gulyash Zarimova - teacher, Department of Musical Performance, Nukus branch of the Uzbekistan State Conservatory. Nukus branch of the Uzbekistan State Conservatory
DOIhttps://doi.org/10.66900/dnkxzg86
Keywords

dutar, dutar art, performing school, tradition, new tendency, instrumentalist's mastery, national instrumental art, style, repertoire, creative heritage

Abstract

This article discusses the traditions and new trends in the creative work of prominent representatives of the 20th–century Uzbek dutar performing arts. Using the examples of the Tashkent, Andijan, Samarkand, and Khorezm performance schools, it examines the particularities of preserving the classical repertoire, as well as the individual creative pursuits of certain performers who synthesized the traditional foundation with new artistic and technical means of expression, notably Turgun Alimatov.  

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