ART AND CULTURE BULLETIN
Articles · 2025/4

TEATR SAN’ATIDA STANISLAVSKIY SISTEMASINING O‘RNI

  • Liza Urazmbetova – professor Nukus branch of the Uzbekistan State Institute of Arts and Culture
  • Ramuza Qazaqbaeva – oʻqituvchi Nukus branch of the Uzbekistan State Institute of Arts and Culture
DOIhttps://doi.org/10.66900/yn04h142
Keywords

Stanislavsky, system, theater, acting, skills, stage truth, «if only» principle, focus, emotional memory, physical movements, Uzbek theater

Abstract

This article provides a comprehensive analysis of the theoretical foundations of the acting system developed by K. S. Stanislavsky and its role in theatrical art. In particular, the essence of the five main principles of the system - stage truth, the principle of "if", the focus of attention, emotional memory and the method of physical movements, their role in the creative process and application in theatrical practice are covered from a scientific point of view. The influence of the system on world theatrical art and the formation of the Uzbek theatrical school is also discussed in detail.

References

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  2. 2.Stanislavskiy K. S. Aktyorning o‘z ustida ishlashi. Moskva: Iskusstvo, 1938.
  3. 3.Stanislavskiy K. S. Rejissyorning daftaridan. Moskva: Iskusstvo, 1933.
  4. 4.Qodirov A. O‘zbek teatr san’ati tarixi. Toshkent: Fan, 1987.
  5. 5.Strasberg L. Method Acting. Nyu-York, 1965.