Articles · 2025/3
FOLEY EFFECTS IN AUDIOVISUAL PRODUCTS CREATION AND SIGNIFICANCE
- Qdirbaev Islambek Qutlibayevich - Assistant Teacher Nukus branch of the Uzbekistan State Institute of Arts and Culture
Abstract
This article covers the content of Foley effects, their role in cinema and television, the
history of their emergence, and modern methods of application. It provides information about the
contributions of American sound artist Jack Foley in this field, under what conditions and with what means
effects are created. The article also emphasizes the importance of Foley effects in enhancing the realistic
environment and reliability of films and audiovisual products. This article will be useful for readers
interested in film, sound engineering, and audiovisual art.
References
- 1. Altman R. (1992). Sound Theory, Sound Practice. Routledge.
- 2. Sonnenschein, D. (2001). Sound Design: The Expressive Power of Music, Voice and Sound Effects in
- Cinema. Michael Wiese Productions.
- 3. Chion M. (1994). Audio-Vision: Sound on Screen. Columbia University Press.
- 4. Holman T. (2010). Sound for Film and Television. Focal Press.
- 5. Huber D. M., & Runstein, R. E. (2017). Modern Recording Techniques. Routledge. DOI: https://doi.org/10.4324/9781315666952
- 6. Weis E., & Belton, J. (Eds.). (1985). Film Sound: Theory and Practice. Columbia University Press.
- 7. www.soundeffects.filmsound.org — Foley effektleri hám kino ses texnologiyaları haqqında onlayn
- resurs.