Articles · 2023/1

N.MUXAMMEDDINOVTÍŃ FORTEPIANO JANRÍNDAǴÍ «QOSÍQ HÁM OYÍN» SHÍǴARMASÍNDA KÓRKEM TALǴAMÍNÍŃ QÁLIPLESIWI

  • G.I.Khodjametova - Candidate of Historical Sciences, Professor Nukus branch of the Uzbekistan State Institute of Arts and Culture Nukus branch of the Uzbekistan State Institute of Arts and Culture

Abstract

The Karakalpak piano performing culture is characterized by the specifics of its national
style. The pianists of Karakalpakstan feel the instrument in accordance with the centuries old traditions that
have developed in the performance of folk instruments and vocal art. From this follows the originality of
the music of the composers of Karakalpakstan, consisting of improvisational and ornamental techniques.
Its national originality dictates to the pianist the search for a performing culture that sufficiently reflects the
mental essence. 

References

  1. 1. Abdullaeva U., Charshimov Dj. “Qaraqalpaq kompozitorlarınıń fortepiano shıǵarmaları”
  2. Qaraqalpaqstan, 2018 j.
  3. 2. Abatbaeva R. “Fortepiano” Avangard. Nókis. 2023 j.
  4. 3. Azimov X. Fortepiano sabaqlıǵı. - T., “Oqıtıwshı ”, 1997.
  5. 4. Djamalova D., Utaeeva N. “Fortepiano álemine dáslepki qádemler”, oqıw qollanba. Ǵ.Ǵulam
  6. atındaǵı NMIU, Tashkent, 2016.
  7. 5. Kisel E., Natanson B., Nikolaev A., Erejenskaya N. “Школа игры на фортепиано”,
  8. “Muzıka”, Moskva, 1975.
  9. 6. Nadırova A. “Qaraqalpaq muzıka tariyxı” Nókis, “Qaraqalpaqstan”, 2017.