Articles · 2026/3

THE STUDY OF KARAKALPAK FOLK SONGS BASED ON THE “TEXT–MELODY–PERFORMANCE CONTEXT–COLLECTIVE MEMORY” MODEL

  • Gulbakhar Akhimbetova Nukus branch of the Uzbek State Institute of Arts and Culture image/svg+xml

Abstract

The article examines Karakalpak folk songs as a unity of genre function, poetic form, melody and performance. Drawing on published song collections, folklore scholarship and musicological studies, it proposes a four-part analytical model: text, melody, performance situation and collective memory. Ritual, lyrical, historical, labour and satirical songs are discussed in relation to both subject matter and social purpose.

References

  1. 1. Qaraqalpaq folklorı. Kóp tomlıq. V tom: Qaraqalpaq xalıq qosıqları hám salt jırları. – Nókis: Qaraqalpaqstan, 1980.
  2. 2. Qaraqalpaq xalıq qosıqları / Baspaǵa tayarlaǵan Á. Tájimuratov. – Nókis: Qaraqalpaqstan, 1965.
  3. 3. Maqsetov Q. Qaraqalpaq xalqınıń kórkem awızeki dóretpeleri. – Nókis: Bilim, 1996.
  4. 4. Adambaeva T. Qaraqalpaq muzıkası tariyxınan. – Nókis: Qaraqalpaqstan, 1991.
  5. 5. Bawatdinova S. Qaraqalpaq xalıq qosıqları: xrestomatiya. – Nókis: Qaraqalpaqstan, 2019. – 128 b.
  6. 6. Shafrannikov V. Karakalpakskie narodnıe pesni. – Moskva: Muzgiz, 1959.