ART AND CULTURE BULLETIN
Articles · 2026/3

INTEGRATION OF DIGITAL TECHNOLOGIES AND NATIONAL AESTHETICS IN MODERN UZBEK CINEMA

  • Karamatdin Qurbanbayevich Zaretdinov Nukus branch of the Uzbek State Institute of Arts and Culture image/svg+xml
DOIhttps://doi.org/10.66900/5s5kbe40
Keywords

sound direction, modern Uzbek cinema, national aesthetics, audiovisual synthesis

Abstract

Based on the IMRAD structure, this scientific article provides a comprehensive analysis of the aesthetic and technological transformations in the field of sound production and sound design in contemporary Uzbek cinema. The study examines the impact of digital multi-channel sound systems (Dolby Atmos, Dolby Digital) on the national film language and acoustic environment. Through the prism of national aesthetic thinking, the author reveals the artistic and dramaturgical functions of voice-over, synchronous and asynchronous noises, as well as elements of silence (pause). The article scientifically proves that sound is not merely a technical tool, but an independent authorial component that deepens the philosophical core of a film.

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