ART AND CULTURE BULLETIN
Articles · 2026/3

INTERPRETATION OF NATIONAL MENTALITY AND ARTISTIC IMAGE IN KARAKALPAK CINEMA (On the example of the comedy film “Uri”)

  • Quatbay Nukusbaevich Tilepov Nukus branch of the Uzbek State Institute of Arts and Culture image/svg+xml
  • Avazbek Otabek ugli Toxirov Nukus branch of the Uzbek State Institute of Arts and Culture image/svg+xml
DOIhttps://doi.org/10.66900/syxepx08
Keywords

feature film, national mentality, screenplay, the movie “The Thief” (“Uri”), comedy genre, conflict, sound direction

Abstract

This article analyzes the history of Karakalpakstan's cinematography, particularly the technical and artistic development of the state institution “Karakalpakfilm”. The concept of conflict as a key element ensuring the integrity of a film has been theoretically studied. Furthermore, the artistic and sound-directed characteristics, plot directions, achievements, and some shortcomings of the 2009 full-length comedy “The Thief,” which marked a turning point in the history of Karakalpak cinema, have been objectively analyzed.

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