THE SECOND GROUP OF SHU'BAS OF SHASHMAQOM AND THEIR PERFORMANCE-BASED PEDAGOGICAL INTERPRETATION

This article analyzes the musical and stylistic features of the second group of shobas (sections) of Shashmaqom, one of the major layers of Uzbek classical musical heritage, with particular attention to such works as Bukhara Iroqi, Rok, Qalandari Dugoh, Samandari Dugoh, and Saraxbori Oromijon. The article examines the position of these shobas within the main Shashmaqom cycle, their melodic structures, doira rhythmic patterns, the use of namud, poetic meters, and distinctive features of their performance interpretations. It also highlights the role of the hafiz (traditional singer) school in transmitting the traditions of Shashmaqom from generation to generation, as well as the educational and aesthetic significance of this heritage from the perspective of the performing and pedagogical activities of Uzbekistan’s People’s Hafiz and Professor Mashrabjon Ermatov.