ART AND CULTURE BULLETIN
Articles · 2026/2

THE SIGNIFICANCE OF REGIONAL STYLES IN UZBEK TRADITIONAL SINGING IN DETERMINING INDIVIDUAL CULTURAL NEEDS (on the example of schools in Fergana, Bukhara, and Khorezm)

  • Samandar Sobir ugli Sobirov Uzbekistan State Institute of Arts and Culture image/svg+xml
DOIhttps://doi.org/10.66900/js81yx66
Keywords

regional singing styles, cultural need, personal culture, aesthetic taste, cultural identity, national musical culture, cultural phenomenology

Abstract

The article examines, from the perspective of cultural studies, the significance of regional styles formed in Uzbek traditional singing in shaping the cultural needs of the individual. Using the examples of the Fergana, Bukhara, and Khorezm singing schools, the study aims to theoretically substantiate the relationship between regional musical styles and an individual’s aesthetic taste, cultural identity, and cultural needs. The inseparable connection between personal cultural needs and regional culture is explored.

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