ART AND CULTURE BULLETIN
Articles · 2026/2

FERGANA-TASHKENT SCHOOL OF COMPOSITION: ANALYSIS OF TRADITION, PERFORMANCE AND FEMALE SINGING ART

  • Bazarbay Nazarymbetov Nukus branch of the Uzbek State Institute of Arts and Culture image/svg+xml
DOIhttps://doi.org/10.66900/wxf4mv39
Keywords

composition, Fergana – Tashkent style, performance school, vocal art, national composition, professional music, nola, qochirim, orchestra

Abstract

This article provides a scholarly and theoretical analysis of the historical development of the compositional school formed in the Fergana – Tashkent region, its creative features, and performance traditions. It also examines musical works created specifically for female vocalists as a distinct area, analyzing their vocal characteristics and highlighting their role in national musical art.

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