ART AND CULTURE BULLETIN
Articles · 2026/1

DRAMA JANRINING ASOSIY VAZIFASI TOMOSHABINGA TO‘G‘RIDAN TO‘G‘RI TA’SIR O‘TKAZISH

  • Asliddin O‘tayev Uzbekistan State Institute of Arts and Culture image/svg+xml
DOIhttps://doi.org/10.66900/ydmhs238
Keywords

drama, action, super-objective, through-line of action, stage truth, experience (perezhivanie), belief, emotional contact, participant of the creative process, resonator, mass character

Abstract

This article analyzes the nature of the dramatic genre, its stage incarnation, and the mechanisms of direct impact on the audience. It explores the ways of influencing the consciousness and emotions of the public through the fundamental concepts of dramatic art, such as action, stage truth, and the "super-objective." Based on the theoretical views of K.S. Stanislavsky and other prominent theater figures, the social and artistic functions of drama are revealed.

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