ART AND CULTURE BULLETIN
Articles · 2026/1

ZAMANAGÓY KINO HÁM MULTIMEDIA TARAWÍNDA AUDIO POST-PRODAKSHN

  • Islambek Qutlıbaevich Qdırbaev Nukus branch of the Uzbek State Institute of Arts and Culture image/svg+xml
DOIhttps://doi.org/10.66900/rjz2b406
Keywords

audio post-production, mixing, premix, interactive audio, game engine, psychoacoustics, mastering, dynamic range

Abstract

This scientific and practical article examines the complex architecture of the audio post-production (sound processing) process in contemporary audiovisual art, particularly in feature films and interactive multimedia systems. The purpose of the work is to scientifically substantiate the balance between technical standards and artistic creation in the field of sound production.

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