ART AND CULTURE BULLETIN
Articles · 2026/1

ITTIFOQ DAVRIDAGI QORAQALPOQ MADANIYATI VA SAN’ATINING RIVOJLANISHI: TEATR, MUSIQIY JANRLAR VA INSTITUTSIONAL SHAKLLANISH

  • Qalbay Turdiev Nukus branch of the Uzbek State Institute of Arts and Culture image/svg+xml
DOIhttps://doi.org/10.66900/w4pf1c81
Keywords

karakalpak theater, philharmonic, symphony orchestra, opera, ballet, repertoire policy, professionalization, institutionalization

Abstract

The article analyzes the development of culture and art of Karakalpakstan in the period 1930-1990 from the point of view of theater, music, choreography, and institutional systems. The transition from the national drama troupe "Tong nuri" to the Karakalpak State Musical Drama and Comedy Theater, the formation of the mobilization repertoire, philharmonic and ensemble systems during the war years, the opening of the Young Spectators Theater (1978), the formation of a large symphony orchestra, and the staging of the first national opera "Ajiniyaz" (1987) and the first national ballet "Ayjamal" (1996) are highlighted based on factual materials. The research is conducted according to the criteria of art history - genre diversification, repertoire policy, professionalization, synthesis of national and world traditions, and the influence of cultural policy. The conclusions substantiate the formation of the Karakalpak school of performing arts and its close connection with professional education and infrastructure.

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