ART AND CULTURE BULLETIN
Articles · 2025/3

AUDIOVIZUAL ÓNIMLERDE FOLEY EFFEKTLERINIŃ JARATÍLÍWÍ HÁM ÁHMIYETI

  • Islambek Qutlıbaevich Qdırbaev Nukus branch of the Uzbek State Institute of Arts and Culture image/svg+xml
DOIhttps://doi.org/10.66900/6q5qbn92
Keywords

foley effects, sound effects, film sound, audiovisual product, sound environment, sound engineering, cinematography, synchronous sounds, sound design, acoustics, cinema art, post-production

Abstract

This article covers the content of Foley effects, their role in cinema and television, the history of their emergence, and modern methods of application. It provides information about the contributions of American sound artist Jack Foley in this field, under what conditions and with what means effects are created. The article also emphasizes the importance of Foley effects in enhancing the realistic environment and reliability of films and audiovisual products. This article will be useful for readers interested in film, sound engineering, and audiovisual art.

References

  1. 1. Altman R. (1992). Sound Theory, Sound Practice. Routledge.
  2. 2. Sonnenschein, D. (2001). Sound Design: The Expressive Power of Music, Voice and Sound Effects in Cinema. Michael Wiese Productions.
  3. 3. Chion M. (1994). Audio-Vision: Sound on Screen. Columbia University Press.
  4. 4. Holman T. (2010). Sound for Film and Television. Focal Press.
  5. 5. Huber D. M., & Runstein, R. E. (2017). Modern Recording Techniques. Routledge.
  6. 6. Weis E., & Belton, J. (Eds.). (1985). Film Sound: Theory and Practice. Columbia University Press.
  7. 7. www.soundeffects.filmsound.org — Foley effektleri hám kino ses texnologiyaları haqqında onlayn resurs.