ART AND CULTURE BULLETIN
Articles · 2025/3

SHEKSPIR DRAMATURGIYASÍNA MUZÍKALÍQ ANALIZ (“Gamlet” shıǵarması mısalında)

  • Anarxan Omarova Nukus State Pedagogical Institute named after Ajiniyaz image/svg+xml
  • Feruza Majit qızı Bekbaulieva Nukus State Pedagogical Institute named after Ajiniyaz image/svg+xml
DOIhttps://doi.org/10.66900/9596hr06
Keywords

Hamlet, William Shakespeare, musical analysis, opera, symphonic music, Ambrose Thomas, Brett Dean, Tchaikovsky, dramaturgical activity, Ophelia, the hero's inner experiences, theatre and music, literary and musical impact, tragedy and music, scenography, emotional expression

Abstract

This article presents musical analysis of William Shakespeare's "Hamlet." The work was revised by various composers in musical directions, among which the operas of Ambrouis Thomas and Brett Dean, as well as symphonic interpretations by composers such as P. I. Tchaikovsky and D. Shostakovich, hold a special place. The article analyzes the dramatic functions of music - expressing characters' inner experiences, creating stage atmosphere, and enhancing plot dynamics. In particular, the portrayal of Hamlet and Ophelia through music, and how their psychological states are conveyed to the listener, were analyzed.

References

  1. 1. Christopher Wilson, Shakespeare and Music (Project Gutenberg): Anıq opera tallawları, sonıń ishinde Ambroise Thomas, Domenico Scarlatti hám Hyonyardtıń "Hamlet" shıǵarmalarına baylanıslı bólimler, "opera muzıkası tárepinen klassikalıq dramanı qalay sáwlelendiriw" temasın úyrenedi. gutenberg.org+1gutenberg.org+1.
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