ART AND CULTURE BULLETIN
Articles · 2025/4

MADANIY MEROS YODGORLIKLARIDA DO‘MBIRA CHOLG‘USI

  • Saydaliyev Yusufxon Aslanovich – dotsent State Conservatory of Uzbekistan
DOIhttps://doi.org/10.66900/sbdd7c72
Keywords

dombra, string instruments, cultural heritage, Central Asian music, archaeological findings, miniature art, ethnomusicology

Abstract

This article analyzes the historical development, artistic representations, and ethnomusicological significance of the dombra in the cultural heritage monuments of Uzbekistan. Based on archaeological findings, miniature art, and written sources, the study explores the ancient regions of the dombra’s distribution, its socio-cultural functions, and its role in the musical culture of the peoples of Central Asia.

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