ART AND CULTURE BULLETIN
Articles · 2026/1

ZAMANAGÓY KINO HÁM MULTIMEDIA TARAWÍNDA AUDIO POST-PRODAKSHN

  • Qdirbaev Islambek Qutlibayevich - Teacher Nukus branch of the Uzbekistan State Institute of Arts and Culture Nukus branch of the Uzbekistan State Institute of Arts and Culture
DOIhttps://doi.org/10.66900/rjz2b406
Keywords

audio post-production, mixing, premix, interactive audio, game engine, psychoacoustics, mastering, dynamic range

Abstract

This scientific and practical article examines the complex architecture of the audio
post-production (sound processing) process in contemporary audiovisual art, particularly in feature
films and interactive multimedia systems. The purpose of the work is to scientifically substantiate
the balance between technical standards and artistic creation in the field of sound production. 

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